The Top 5 Men's Men of the Golden Age
by Derek Sprang

When I was growing up in Reeseville, comic book superheroes were really the best role models I had. Everything I know about being a man came from that four-color world, which may be one reason I still cherish those old comics handed down to me by my bachelor uncle. They taught him, too.

Certainly, those comics have made me a better father. Though it's certainly great to be able to laugh at some of the quaint notions of the past, I think it my duty as a comic book fan to counter Griep's article.

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Commander Courage: Proud Symbol of Conservation
by Donald Swan

When Jackson Whitney created Commander Courage, the young artist threw in a lot of his personal obsessions. A dash of patriotism runs through that classic original run, of course, just like many comics of the time. Keeping pace with those early stories is a deep sense of our nation's history, far more accurately portrayed than most superhero comics of the time, even with a sensationalized (by modern standards) portrayal of the attack on Pearl Harbor. That wound was still too fresh, and too little really known about it at the time.

The one aspect of Commander Courage's world given short shrift would turn out to be the thing that set the character apart from other popular heroes like Captain America, The Shield, and Superman. From the very beginning of the strip, Jackson tried to ensure that his hero represented a deep reverence for nature, just as the Wisconsin autodidact had developed through his own studies.

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The Code That Killed The Golden Age
by Donald Swan

A lot of people talk about the Comics Code Authority and the effect it had on the industry. But I don't think very many people have actually read the code. Of course its intention was noble and there are many laudable ideals set out in it. Other restrictions may seem laughable to our modern tastes but we have to bear in mind it was a more innocent age...

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The Top 5 Not-So-Latently-Gay Golden-Age Superheroes
by Terrance Griep

5) THE RED BEE. Oh, I know you think you had this one nailed because of the pink sleeves, but you're buzzing up the wrong hive. See, the Apis Avenger keeps a swarm of trained bees—including his favorite, named Michael, unnaturally enough—in his belt. His belt! Accessorizing like this says two words, my little drones: wayyy gayyy.

4) BLACK CANARY. Yes, you read that right. This one's so obvious, even Doctor Mid-Nite could see it (or should). "She" spent all that time dating a Queen... that's Queen with a capital "Q." And the lace stockings..? The proof is as sharp as a pre-Crisis Canary Cry: clearly, Black Canary is a gay transvestite.

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When Marvel Was Timely: Part 2 -- The Big Three
by Jason Sacks

The king of Atlantis. A robot who could burst into flames. And America’s first super-soldier. The Sub-Mariner, the Human Torch and Captain America were by far the most popular heroes to emerge from Timely Comics in the 1940s.

Timely, which would in the 1960s become known as Marvel Comics, was a second-tier publisher during World War II.

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Catwoman, First Lady of Crime
by Daniel DeFabio

People can argue for days over the greatest superhero: Superman, Spider-Man, Captain Marvel, Green Lantern, Batman, maybe the Hulk.

But when it comes to female super-villains there can be only one name at the top of the list: Catwoman. The whipsmart sexy foil to Bruce Wayne’s Dark Knight first seduced comic fans in 1940. .

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One For The Ages: Barbara Gordon
and the (Il)Logic of Comic Book Age-Dating
by A. David Lewis

When undertaking the question of the comic book Ages, one could look no further than a character from that selfsame medium, Barbara Gordon, as a guide. Best known as DC Comics' Batgirl, Barbara Gordon provides a useful entry point into the discussion of comic book classification and dating nomenclature.

The heroine long ago hung up her chiropteran tights out of necessity: a gunshot would to the spine left the librarian-by-day/vigilante-by-night permanently paralyzed from the waist down.

Page 1, Page 2, Page 3, chart and citations

When Marvel Was Timely: Part 1 -- The Second-stringers
by Jason Sacks

In the 1940s Marvel Comics weren’t Marvel Comics. They were called Timely Comics, and by and large, their line was very forgettable. After their big three heroes of Captain America, the Human Torch and the Sub-Mariner, most of the rest of Timely’s heroes were just plain goofy.

Unlike DC and Fawcett, who ruled the roost in that era, none of Timely’s second tier characters captured the public’s imagination at all. DC had Hawkman and the Flash and Starman as second-tier characters, while Fawcett’s Marvel Family of characters even spawned a funny animal title in Hoppy the Marvel Bunny. But Timely, in the 1940s a second-rate publisher, lagged behind.

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Defender of the Southern Faith: When Walked The Reverend...
by Christopher J. Garcia

Of all the characters that have graced the shelves of grocery stores and newsstands the world over, none captured the feel of the post-bellum South so much as The Reverend. From the cross that burned on his chest when evil approached, to the eyes of the demons that he battled tooth and nail, The Reverend's seven-year run made him a favorite of children around the country, but especially those who read beneath the covers in former Georgia plantation homes.

The Reverend, written originally by Hap Hanland, appeared for the first time on the back page of In Your Defense, a popular American war comic, during the early months of WWII. Shown defending the stately homes of Savannah from Japanese air attack, The Reverend came to the rescue, and flew off with the cry "always keep the faith!"

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The Naked Censorship of Liberty Lad
by Donald Swan

Though his own courage shortened his career in comics, Jackson Whitney had a keen grasp of what the burgeoning superhero field would need. In the very first Commander Courage story, "The Origin of Commander Courage," Whitney had fleshed out polio-stricken junior high school teacher Jefferson Dale's supporting cast. No mere crutches these, the staff and students of Nathan Hale Junior High would each and every one prove to be crucial to the mythos of Commander Courage. (First of Two Parts)

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Liberty Wears Long Pants
by Donald Swan

As figures of wish-fulfilling inspiration, superheroes should have been invulnerable to the psychologist's stare. Dr. Wertham slid innuendo towards them. Specifically, he cited Bruce Wayne and Dick Grayson's relationship as a "homosexual dream." And of course, generally, that tarred an entire genre.

It didn't help that within the industry, some jokes had been made about guys like Sam Clay, who did seem to create an awful lot of boy sidekicks the moment he'd inherit a feature. McNeal almost certainly would have been among those making remarks, arching his eyebrows and lifting his pinky in jest. Talk to many old-timers now, and they'll still express regret over the "ribbing" they gave Clay in particular, ribbing that was none too subtle and eventually, none too contained when the government came sniffing around. (Second of Two Parts)

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A Once Upon A Dime Classic!
The Golden Age of Batman
by Carr D'angelo

The Batman origin dreamed up by Finger and Kane is now a standard of the genre. Ten-year-old Bruce Wayne watches in horror as his mother and father are gunned down by a petty thief. Raked with grief, the heir to the Wayne fortune swears to wage a neverending war against crime. He prepares his entire life for this crusade.

And once he gains sufficient strength and knowledge to fight crime, the adult Wayne realizes there's one more thing he needs: a disguise that will "strike terror into [the] hearts" of the underworld. As if an omen, a bat crashes through his window and Bruce Wayne thus decides to become the Bat-Man.

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Jack Cole: A Life In Four Colors
by Donald Swan

A comics giant with an amazing ability, Jack Cole was one of those virtuosos who could do vastly different styles. He might have three different fanbases. One loves all his voluptuous incredibly sexy women in Playboy, done in water colors and oils. He did a newspaper strip that was minimalist like Peanuts called “Betsy and Me”, a droll domestic situation comedy.

And of course, he did Plastic Man, which marked the dawn of a completely different style in comics. He found incredible inventive ways to use Plastic Man’s body.

Yet Cole in his bio would say “I worked for 11 years in comic books” never even mentioning his most famous creation: Plastic Man. It’s astonishing.

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Jay Garrick Saved My Life
by Vin Miller

The year was 1978. I was 10 years old and had just received the greatest birthday present of my young life: the Synco Junior Scientist chemistry kit. My parents had cleared out a corner of the garage for me to use as a sort of mini-laboratory, and I spent that first humid afternoon of the summer mixing the blue and yellow liquids into thin clear glass vials, then dutifully hanging them over the three tiny bunsen burners.

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The Beauty Queen of the Crimefighting Set
by Derek Sprang

With comic books as the hottest commodity in Hollywood why hasn't there been any talk of a Mary Medusa movie? As a long time Mary Medusa fan, I've dreamed of seeing the Make-up Marvel in living Technicolor deploy her HairNet or toss a LipBomb.

Of course I realize that Mary Medusa may not have the same pop culture cache that some of the more current spandex crimebusters have, but she has always held on to an important piece of my heart. For those of you who don't know your comics history, let me tell you about one of the classiest lady crimefighters to ever bust up a counterfeit cosmetics ring.

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There's Something About The Golden Age...
by Stephen Sonneveld

With the industry being just as capitalistic in the Depression and War Years as it is today, what makes the Golden Age so special? Is it because of the industry’s unparalleled growth and success at that time? Is it the creative explosion, the fact than an art form was coming into it’s own? While those are certainly part of the mystique, I think the answer is much simpler: the world needed “super” heroes.

Some say that the Golden Age is a more innocent time. I disagree. I think the pre-Code books reveal a sophistication and worldview that is noticeably stifled post-Code. The Depression Era heroes were not insulated within their own worlds, or, in the case of Spider-Man, their own heads. While names of cities and countries might have been fictionalized, the Golden Age heroes were firmly entrenched in the reader’s world, and fought for the greater good of it.

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The Spirit: A Visionary Character...
by Jason Sacks

Out of the thousands of heroes that first appeared in comics' golden age, only the most original and exciting ones have survived to the present day. The list of such classic characters is short - Captain America, Sub-Mariner, Wonder Woman, Batman, Superman and a very few others.

Each of those heroes may have each sprung from the forehead of one creator, but all were eventually absorbed by the comics corporations. Only one hero stands alone as an exception to that rule. He is a protagonist who has appeared in few new stories since 1952 - a special man called the Spirit.

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The Puckish Pranksters We Love To Hate...
by Daniel DeFabio

Whether it's Mr. Mxyzptlk, The Impossible Man, or Jinxor, we all know when a comic book has gone too far to the silly side. These characters can’t be taken seriously. Can they? Occasionally a writer will use them in an interesting new way (Mojo in the X-men stories), but more often we readers are left to grin and bear it.

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