Those viewers who
have watched a television show in the past most likely unraveled the
mystery identity of last night's Krypto-freak before the opening credits,
so we'll keep it brief. Amy Palmer and her brother Jeff are the teenaged
children of Lex's servants. Amy harbors an obsessive crush on Lex and
hates his new houseguest, Victoria, with an equal passion.
Guess who's turning
invisible and causing trouble in the Luthor mansion? Not crumply-faced,
squeaky Amy, of course. (Clark and Chloe need the contrivance of a campus
blood drive to figure it out.) Jeff's recipe for invisibility involved
the oil from some glowy-green roses that mysteriously refract light
and, well, let's move on, shall we?
Clark steps in
to fill Whitney's shoes again as a volunteer for the blood drive, which
Lana is organizing. He can't donate blood, of course, but covers by
saying he has a problem with needles. ("Which, technically, you do,"
says Ma Kent.) He has decided to take Lex's advice and truly pursue
Lana, and in fact they nearly share their first real kiss before being
fortuitously interrupted by Nell.
Lionel Luthor returns
to lecture his son, and to steal the episode with a single word: "Swell."
Lex claims to know exactly what Vixen-Victoria is up to, but the degree
to which he may or may not be bluffing is unclear. He tells Clark it's
not about love, that it's a game of chess, and he seems to believe what
he's saying.
Unfortunately,
Lionel's brief scene really served little more purpose than to establish
Victoria's fondness for bathing, so the invisible menace has a chance
to drown her in the tub. Clark rescues her without any of the gawking
one would expect from a 15-year-old touching a wet naked girl. Those
hoping for Victoria's speedy departure will also be disappointed by
Kelly Brook's appearance in the new WB promos. (Brook has contracted
for at least four episodes - editor)
And again, there
is more to the quarterback boyfriend than meets the eye - with his X-ray
vision and super-hearing, Clark divines that Whitney's father is sick,
triggering a crisis of conscience. As his father reminded him earlier,
Clark can't be honest about a lot of things, so he's honest when he
can be. He's sullen about it, but he tells Lana to go to Whitney. Tom
Welling experiences a disquieting Christopher Reeve moment in front
of a terribly artificial sunset.
It would be nice
to see Clark show a passion for something other than the girl next door.
So far he hasn't even expressed more than a superficial interest in
his origins or abilities, much less the spaceship in the barn.
Lana may be the most wonderful girl in the world, but there are problems
with that. One, we know they can't end up together. Two, she's someone
else's girlfriend, and Clark isn't going to play dirty to get her away
from Whitney. So get another interest, already; even Dawson has the
movies. (Personally, I vote for meeting Lori Lemaris in summer camp.)
Lex's ruthless humanism (or humane ruthlessness) plays out well with the
Palmer family, as it did with Earl in Jitters.
When will the better angels his mother left with him be shouted down by
the demons of his father?
This week's Freak
was a bit of letdown from the last two deviations from the formula,
and the resolution was comic (in a bad way - cans of paint are seldom
that conveniently placed). At least it was relegated more to subplot
status, with teen drama taking the reins this time. It's not a bad idea
for keeping the show fresh, but there need to be more ideas, and soon.