Angel
A New World
Episode Air Date 05/06/02
This episode starts
on shaky ground but eventually levels out into a fair offering.
Two problems weaken
the opening. First, there is Connor’s hokey wrist-mounted spike gun,
an item that looks like a cross between a weapon from the Road Warrior
world and something the Professor designed for Gilligan. Second, and
far worse, is the poor use of pseudo-Matrix slow motion during the initial
fight scenes. Perhaps after the last two plodding episodes the producers
realized that it was impossible to slow down the plot any more, so they
slowed down the action instead.
In the past the
show’s creators have also experimented with the fight choreography by
splicing in fast motion sequences. None of this has worked especially
well. Though a subsequent battle between Connor and a drug gang works
better, one has to ask “What’s wrong with real time combat?” Perhaps
one of the reasons for the special effects is to showcase Connor’s talents.
Apparently this bridge leaping, bus-riding lad has inherited some special
abilities from his father (the real one; what he has inherited from
his “adopted” father is a dire need for grief counseling).
It is probably best
for fans not to question the details of Connor’s hereditary gifts. After
all, even Whedon and Company (the real “Powers That Be”) have admitted
to making up much of the Angel mythos as they go along.
The episode, of
course, focuses on Angel’s attempts to reconcile with Connor. For the
most part the scenes between the two work well. It will be interesting
to see if Connor can outgrow Holtz’ programming. Less effective is Sonny,
who seems a bit too witty and charming for a drug addict. As in past
episodes, the show is often at its worst when it tries too hard to incorporate
the horrors of the real world.
The writers do a
good job of balancing the main plot with back-stories involving the
other characters. A surprising encounter between Wesley and Lilah is
particularly entertaining. One of the strengths of Angel (the
show, not the man-vamp) has been strong character development. While
many fans are quick to point out Cordelia’s transformation from spoiled
teen to selfless adult, one should not overlook the evolution of Wesley,
who is equally far removed from his early days as a wimpy substitute
Watcher. And Lilah too has also grown into a much more cunning foe.
Other back-stories
are also effective. The decaying relationship between Groo and Cordelia
yields up simmering sarcasm (Groo) and delusion (Cordelia). Meanwhile,
Lorne is ever effective at lightening the situation and brings along
some extra fun in the form of portal closing Myrna.
It’s got all the
makings for a good season finale.
Chris
Crotty