See Spot
Run
See David Arquette spasm. See audiences sleep.
As Wonder Dogs
go, Bob as Agent 11 holds his own against such giants as Hooch, Poochinsky,
and Chuck Norris. He can lead mobsters into wacky traps like a canine
Culkin. Public park purse-snatchers have no chance against him. He can
out-act Paul Sorvino. Granted, he's no Hosehead from Strange Brew,
but then, that dog was in a good movie. Poor Bob has to slum
it in a strange Nick, Jr. version of a Farrelly Brothers film.
Agent 11 has racked
up quite an FBI career by the time See Spot Run begins. Already
ranked as the number one crime-fighting dog in America (which begs the
question, why are there no cop dog reality shows?), we meet Agent 11
as he completes a huge drug bust. Partnered with Agent Murdoch (Academy
Award nominee Michael Clarke Duncan - just wanted to rub it in), our
canine hero not only exposes drugs hidden in paint cans, but manages
to take down the local kingpin, Sonny Talia (Sorvino). Some may think
our hard-bitten hero goes too far in his efforts, but he gets the job
done. And in cornering Sonny, Agent 11 only proves what Planter's says:
dogs like nuts.
Meanwhile, the
film introduces us to postal carrier Gordon Smith (David Arquette),
whose route takes him through the notorious Bleeker Street. Each house
on the street has a dog that hates postmen, and Gordon has armed himself
with various low-tech (and, okay, we'll admit, somewhat clever) defenses
against them. After a series of slap-stick battles that ends with Gordon
flying into a tree (clearly, a student of Wudan Mountain), See Spot
Run grinds to a halt in order to set up Gordon's character arc.
See, Gordon hates
dogs. But he loves his gorgeous neighbor Stephanie (Leslie Bibb), who
has a little boy, James (Angus T. Jones), who loves dogs but isn't allowed
to have one. They all live in an apartment complex along with fellow
mail carrier Benny (Anthony Anderson). Benny exists to provide hip-hop
relief when the movie gets too slow. Of course, our definitions differ.
Stephanie won't date Gordon because she thinks he's irresponsible and
child-like himself, but she's forced to leave her son with him when
she goes on a business trip. (These things happen. In movies.)
Lest we forget
(and it feels like the movie has), the vengeful Sonny Talia has put
a hit out on Agent 11, who is forced into witness protection. Sensing
something wrong (this dog is smart), he escapes his transport
vehicle and hides in Gordon's mail truck, where James finds him. Through
a misunderstanding that makes more sense than the rest of the movie,
James ends up calling Agent 11 "Spot." And by expertly exerting his
pouty face, James convinces Gordon to keep the dog. Can a slow-witted
slob and an uptight, ultra-conservative FBI agent share an apartment
without driving each other crazy?
In a perfect world,
Agent 11 would get back to the apartment and beat Gordon senseless.
That would have been funny. Instead, we get to see the two soften towards
each other and the kid as Gordon learns to be responsible and Agent
11 learns to lighten up, all while dodging two inept mob hitmen (played
by, as is now required by law, two minor character actors from The
Sopranos). We really wish we were making this up.
What See Spot
Run lacks in story sense, it makes up in gross-outs. Mindful of
its status as a kiddie film, it limits these to poo poo and fart jokes,
which have their place. But this movie uses the same ones over and over.
Yes, we suppose it is only justice for David Arquette to have to roll
around semi-naked in dog crap, but must we watch it for five minutes?
At least it has its priorities straight. Kids, remember: having your
dog spit a human testicle into your hand is funny; kissing is ewwy.
Despite their surroundings,
several actors really try hard to ply their craft. Leslie Bibb cheerfully
endures a variety of cruel pranks: getting covered in mud, sticking
her face in a zebra's rear, and appearing in a movie with David Arquette.
She almost makes us forget that she really looks too young to be a mom
and a high-powered businesswoman. (Bibb plays a cheerleader on the WB's
Popular.) Duncan and Sorvino both know they're not in anything
Oscar-worthy, and yet manage to not look embarrassed in any scene. Now
that's acting. The up and coming Anderson (from Me, Myself & Irene,
among others) brings energy to all of his scenes, and provides one big
laugh in an out-of-place break-dancing scene. But even with all this
talent, there's no escaping the huge hole in the center.
Here at Fanboy
Planet, we tend to rag on David Arquette. Let's be fair. We're grateful
that someone wants to compete with Adam Sandler as America's Most Beloved
Brain-Damaged Man-child. But he's been coasting for far too long on
this bit. It's especially disappointing since, once upon a time, Arquette
bothered to actually act. Now it appears he just shows up, eats too
much sugar, and tells the director to roll the camera. The dog ends
up being more entertaining.
Soon enough, it
will be May and the studios will give us good movies again. Let us all
be granted strength to last that long.
(review originally
appeared on Daily Radar 3-1-2001)