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Mission: Impossible III

When last we left Tom Cruise as Ethan Hunt, well, many wished we'd just left Tom Cruise as Ethan Hunt. He faced down his doppelganger in a crude misogynistic riff on Alfred Hitchcock's Notorious, and driven off into the sunset with the girl. He also made a crapload of money, so Paramount had to bring him back.

The good news is that Mission: Impossible 3 is by far the best of the three films to besmirch the memory of a cool television series. That sounds like praising with faint damnation, but with J. J. Abrams (who knows how to make cool television series) at the helm, M:I 3 actually acknowledges that it's the concept, not the star, that's supposed to make it work.

Of course, it does have a star, one who is not exactly in the most sharing of moods right now. Though Abrams has a formidable opponent for Cruise, er, Hunt in the form of Owen Davian (Phillip Seymour Hoffman), the villain seems shackled once it becomes clear he may outshine the hero. It's not a fatal mistake, just disappointing, especially because Hoffman makes Cruise look good in an incredibly tense opening sequence.

Like Nicolas Cage impersonating John Travolta in Face/Off, Hoffman also does an incredible job of being Cruise under a Hoffman mask Ultimately as a character, though, Davian is supposed to be a representation of corruption within the system, easily replaced if he disappeared. What that translates into for the audience is a cipher. He's evil, but why? He sells horrible things to our enemies, but what motivates him? All we know is that he's damned good at his job.

As is Cruise's Ethan Hunt. Cruise himself borrows a bit from his work in Collateral. Whether he intends to or not, he makes Hunt a little bit more creepy than he was in the first two films, and it works.

The script by Abrams, Alex Kurtzmann and Roberto Orci puts Hunt in a semi-retired state. Instead of going on impossible missions, he trains agents, telling his fiancée Julia (Michelle Monaghan) and her family that he works in traffic control. Yet he does have a strange and disturbing habit of eavesdropping on conversations by reading lips from a distance. Sure, that comes in handy when you're mapping out traffic patterns.

His newest handler, John Musgrave (Billy Crudup), calls him back in for the proverbial one last mission - to rescue Hunt's star pupil Lindsey (Keri Russell) from Davian's clutches.

Of course, things go horribly wrong in a still pulse-pounding rescue sequence, and Hunt has a personal stake in getting Davian and stopping him from selling some sort of weapon called "the rabbit's foot." Extra points to the script for actually calling attention to the fact that they will not explain this macguffin.

At a few points in the film, Abrams makes Cruise surrender to the charms of his ensemble, giving everything a great groove. Three major IMF operations occur, and the centerpiece at the Vatican has a lightness to it that hearkens directly back to the original series. Isn't that the point?

Better yet, this third outing actually makes the obligatory mask almost believable. In the second film, it was laughable, but Abrams walks us through the process. With today's technology and an unlimited Black Ops budget, it's almost plausible that life-masks could be perfect methods of disguise.

The film doesn't disguise the great group of up-and-comers here, with Jonathan Rhys-Meyers and Simon Pegg as part of Hunt's team. Neither character is allowed much depth, though both actors are so vibrant that you can see them struggle to achieve a third dimension.

As an even higher-up, Laurence Fishburne also does his cool thing, intimidating for most of the film then becoming a warm and fuzzy bad sitcom boss. That's a script problem, not Fishburne.

Ving Rhames, reprising his Luther Stickel, gets much more interaction than the second film allowed, which is a relief. Left on his own, Cruise is just too intense and inhuman.

Though Abrams proves himself a really good action director, he's not strong enough to shut down Cruise's worst instincts as an actor. Too many reaction shots have that weird Cruisean distance - how he thinks people with normal emotions would behave, a mask over a mask. When the script allows for Hunt to be a ruthless agent (which, considering his job, he pretty much should be), it's powerful.

I could live without seeing another Tom Cruise movie, and would sure like to stop seeing him in the tabloids. But in the event of zombie holocaust, there's no doubt that you want Tom Cruise helping you survive.

He. Will. Get. It. Done.

As for opening the summer season, M:I 3 also gets it done. At the very least, it bodes well for J. J. Abrams' next mission, should he choose to accept it, which is rumored to be a famous five-year one.

Rating:

Derek McCaw

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