| The 
                    Incredible Hulk Whatever Marvel did with The Incredible 
                      Hulk, it would be most important they didn't make us 
                      bored. They wouldn't like us when we were bored, though 
                      even then we took Ang Lee's Hulk to somewhere over 
                      $200 million. This time around, the introspective Lee has 
                      been replaced by the respectful and hyperkinetic Louis Leterrier, 
                      and one thing you can say about this Hulk - it's never boring.
                      Admittedly, it's occasionally silly, but 
                      to its credit rarely ridiculous. Like the first Marvel Studios 
                      production Iron Man, The Incredible Hulk puts 
                      fun first, and somehow it's hard to shake the feeling that 
                      that's going to tick off some fans. There's no pleasing 
                      some people.
                      Even star/uncredited writer Edward Norton 
                      seems okay with having some fun. At times, his Dr. Bruce 
                      Banner acknowledges the oddity of his situation with a resigned 
                      smile. He's had time to get used to it. In this go-round, 
                      Banner has been living with the curse for more than five 
                      years. Subtitles even fill us in on how many days he has 
                      gone without "incident."
                      Leterrier and Norton wisely dispatch their 
                      version of the Hulk's origin in the opening credits. For 
                      a lot of fans, it will look familiar, borrowing more from 
                      the television show than the comics. Regardless, everybody 
                      knows it, so finally a superhero movie dares to be quick 
                      about it, thus getting us deep into the meat of the plot.
                      And whether Norton or Zak Penn laid the 
                      plot out, it's stuffed to the gills. Even as we see Banner 
                      working off the grid in Brazil, General Thunderbolt Ross 
                      (William Hurt) has a squad of Hulkbusters at the ready, 
                      waiting for the moment Banner slips and reveals his location. 
                      Meanwhile Banner communicates with the mysterious Mr. Blue 
                      via encrypted IMs, trying to find a cure for his verdant 
                      condition.
                    Along the way, the script weaves in the 
                      origin of The Abomination, here played by Tim Roth, and 
                      actually gives the character a motivation that doesn't seem 
                      arbitrarily evil. At first, anyway. As part of the bigger 
                      picture for fans, clues drop that will skip around a variety 
                      of franchises. Look to 2011 for the payoff for some of the 
                      references made in this movie.  The cost of all this is that a lot of character 
                      development does have to get taken for granted. Banner's 
                      bemusement we can understand; Betty Ross (Liv Tyler) still 
                      doesn't get much to do but look worried with tears welling 
                      up in her eyes. For better or worse, these are cartoon characters, 
                      played sincerely and with just enough pathos to keep you 
                      interested when the not-so-jolly green giant isn't around.
                      When he is around (and it's satisfying), 
                      the Hulk still looks unreal. Though pretty complex as a 
                      visual, his scenes always seem only a step or two above 
                      the videogame tie-in. It can be forgiven when the green 
                      goliath faces down the Abomination, or when the action gets 
                      so frenetic you can't spend time worrying about it. But 
                      in quieter moments, especially in connecting with Betty, 
                      the Hulk and the humans really don't match up.
                    It's 
                      efficient and fun, but what gives it resonance for this 
                      fanboy are the touches Leterrier throws in to show us he 
                      knows where this all comes from. In addition to a script 
                      really paying attention to the mood of writer Bruce Jones' 
                      run on the comic book, the director nods to everything that 
                      made this possible. The soundtrack occasionally picks up 
                      echoes from the television series' score, hauntingly sad 
                      notes that underscore Banner's tragedy - even if this time 
                      around we don't view it as quite as tragic. Lou 
                      Ferrigno returns in both a physical cameo and voicing the 
                      Hulk. The cleverest and classiest touch manages to get the 
                      late Bill Bixby some screen time, an absolutely deserved 
                      tribute. Without him, the Hulk would not have vaulted into 
                      the mainstream consciousness so firmly. 
                      Some might not be able to forgive the moments 
                      that feel like a comic book, but that's what makes this 
                      movie work so well. It's unabashedly taken from some of 
                      Marvel's most vivid moments, and though it is hokey to have 
                      a character say "…that would be some kind of abomination…" 
                      to name the villain, it's not like this has been adapted 
                      from Dosteovsky.
                      Thank heavens, because Stan Lee is much 
                      more fun to read. And though, yes, The Incredible Hulk 
                      is much more a movie where Hulk was a film, this 
                      time around, it's much more fun to sit through, and far 
                      more inspiring to buy the toys. Hulk smash toy aisles, too.
 
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