| Hitch Every now and then it's good to let go and 
                      just believe in romance. Guys, it's even better to do it 
                      around Valentine's Day. Luckily this year we have Hitch, 
                      a light romantic comedy that still has a bit of edge with 
                      Will Smith and perhaps the beginnings of a great comedy 
                      team with Smith and Kevin James.
                      To give in to this movie, you do have to 
                      get over a few things. Misunderstandings arise only because 
                      the story needs misunderstandings to make it work. Motivations 
                      are slight. Smith has to play that being utterly burned 
                      at love, and thus refusing to play at it himself, has turned 
                      him into an expert, the so-called "Date Doctor." Countering 
                      Hitch comes gossip columnist Sara (Eva Mendes), also refusing 
                      to enter the dating pool because of a childhood trauma that 
                      really should have no bearing on the issue. Hitch needs 
                      to meet his match, so any excuse to make that Sara will 
                      do.
                      Only Albert (James) seems to be following 
                      a natural course. A big-time junior accountant with blue 
                      collar habits, Albert has fallen in love from a distance 
                      with New York City's most popular heiress. Anyone can identify 
                      with that.
                      No, it's not Paris Hilton, but the heiress, 
                      Allegra Cole, is played by a former supermodel, Amber Valleta. 
                      If you can buy that after dating a succession of jetsetting 
                      playboys, Allegra would fall into a shy (and chaste) courtship 
                      with a guy that can't eat a single meal without staining 
                      his shirt, then you are ready for Hitch. It's not 
                      quite screwball comedy, but it comes close at times. Director 
                      Andy Tennant keeps things light and breezy, and unlike a 
                      lot of "comedy" directors churning out product, he actually 
                      knows how to stage a gag. Even when a bit pushes the boundaries 
                      of logic, Tennant pulls it off and moves on. He cut his 
                      teeth on some of the most visually inventive sitcoms of 
                      the early nineties, and if I have any disappointment with 
                      his film work, it's that he never lets himself go into full-scale 
                      lunacy. But maybe that's a good thing.
                     
					Part of what makes Hitch work is 
                      the clever screenplay by Kevin Bisch. Again, it's occasionally 
                      short on logic, but the dialogue always pops until the few 
                      moments it gets dragged down into exposition. (Adam Arkin, 
                      as Sara's editor, has the unfortunate duty of delivering 
                      moral messages without getting anything actually fun to 
                      do.) 
					    |  |   The four main actors, however, should get 
                      praise. Can this really be the first time the ultra-charismatic 
                      Smith has played straight up romantic comedy? It feels like 
                      a genre he was born to do. Or, if necessary, at least keep 
                      teaming him with James. Every scene between the two hits 
                      the mark, and if they don't work together again, it will 
                      be a shame. They have far more natural give and take then 
                      Smith has had in his teamings with more intense actors like 
                      Tommy Lee Jones.
                      As the objects of affection, Mendes and 
                      Valletta strike different but charming notes. Mendes has 
                      been stuck in crap project after crap project, but hinted 
                      that she could be funny in Stuck On You. With Hitch, 
                      she has the makings of a real movie star, at turns knowing 
                      and vulnerable. When sparring with Smith, she more than 
                      holds her own while also making it completely believable 
                      when she realizes she's fallen for him. In a slightly more 
                      unbelievable role, Valletta, too, makes you believe in love. 
                      Relegated to a lot of shots of quietly appraising James, 
                      she shows the melting of Allegra while never letting go 
                      of the character's strength.
                     
					The film does waste a few character actors. 
                      For some reason, Michael Rapaport gets high billing to appear 
                      in an early scene, be established as pivotal to Hitch's 
                      life, and then never be seen again. Screenwriter Bisch goes 
                      to even more trouble to establish a supporting cast for 
                      Sara, including wacky officemates and soulful best friend, 
                      but they disappear for huge stretches, until such as they 
                      might serve for a fine coincidence. 
					    |  |   Overall, though, those things end up being 
                      minor quibbles. By the time the final credits roll, Hitch 
                      has delivered a surprisingly good time. Yes, it's light, 
                      it's frothy (yeah, it's a gross word for guys, but it's 
                      true) and fun. It also has just the right amount of goofiness 
                      to keep both genders entertained this Valentine weekend.
                      So go. We won't tell.
                      Rating: 
                          |