Final Fantasy: The 
        Spirits Within
 No 
        matter what Maxim says, she isn't real. Stop thinking about it. Stop it. 
        But man, look at those polygons…
		
		 
		In the beginning, there was ink and paper. And it was good.
        Yea, then after a dinosaur walked the theaters, someone discovered paint 
        and cellulose. And it was good.
        Yea, and lo, a mouse didst walk the screen, with rabbits, and ducks, and 
        cats, and many sundry creatures, and the people didst laugh. And it was 
        good.
        Yea, and it did come to pass that men didst experiment with the paint 
        and the cellulose, and didst use computing machines to aid them in their 
        task. And a great mouse detective strode the landscape, and there was 
        Beauty. And a Beast. And then didst the children's playthings have their 
        own story, and yet again didst they. The insects didst live, and dinosaurs 
        rose again, though they didst but bore the people. And then there wast 
        Shrek. And it was good.
        And on the sixth day, in what some said was to be the final fantasy, someone 
        tried to use the computing machines to animate man. And the people didst 
        say "ooh" and "aahhh," but it was not quite there yet. And still the interested 
        didst flock. 
        
 From its subtitle, 
          you can guess that Final Fantasy: The Spirits Within has a quasi-religious 
          bent. Alien creatures dubbed "phantoms" (and they are creepy 
          mothers) have invaded the Earth and wiped out a good deal of its population. 
          Only by using bio-etheric energy (I love science fiction) can humans 
          hope to shield themselves and create weapons that will stop the phantoms. 
          The man who harnessed said energy, Dr. Sid (voiced by Donald Sutherland), 
          has discovered that the final solution lies in harnessing the power 
          of "the eight spirits."
        
 Many people consider 
          Sid to be a nutcase, especially General Hain (James Woods). Sid has 
          also posited that we are all spirits split off from Gaeia, and when 
          we die, we return to her to share our experiences. If he can collect 
          all of his "eight," he can create a bio-etheric wave that will wipe 
          out the phantoms and save humanity. Why eight? Why the particular ones 
          mentioned? Aren't there eight tiny reindeer pulling Santa's sleigh? 
          Look over there! It's a shiny object!
        
 Dr. Aki Ross (Ming 
          Na), Sid's assistant, takes it upon herself to search for the eight. 
          Actually, she has already discovered five when we encounter her. Venturing 
          into the ruins of old New York City (because New York City always 
          gets it in post-apocalyptic fantasy), Aki finds the sixth spirit in 
          the form of a lone plant. As the phantoms surround her, she finds help 
          in the form of Nephites, soldiers specially trained to withstand phantom 
          attacks. This squadron is led by Gray (Alec Baldwin), possibly an ex-boyfriend 
          of Aki's, who still harbors deep feelings for her.
        
 Unfortunately for 
          their love, Aki has an even more personal reason to find the spirits. 
          It seems she has been infected by a phantom, and needs to complete the 
          bio-etheric wave before the phantom takes over. Maybe. It's never really 
          quite explained, because for almost every other character, a simple 
          swipe by a phantom pretty much kills them. The phantom communicates 
          to Aki in dreams which detail the destruction of its home planet.
        
		 
        
		 As Aki grows more 
          desperate in her quest, the evil General Hain uses those very dreams 
          to prove that she is in collusion with the phantoms. Hoping to discredit 
          Sid, Hain wants the surviving Earth Council to let him use his weapon 
          of choice - a really big cannon that sits menacingly in space. No mention 
          of Hain having a really tiny cannon of his own. Sid believes that if 
          the cannon gets used on the phantoms, it will drive them deep into the 
          planet, causing it to explode. This would be bad, but evil military 
          types in stylish black leather just never listen.
         Story-wise, Final 
          Fantasy has its compelling moments. You have to blink a lot, and 
          accept that some elements just will not be explained. A day later, you 
          realize that's because they don't make any sense. But in the middle 
          of it all, the ride can be fun, because the phantoms really are frightening 
          looking, and if some of it comes off feeling like Aliens, there 
          are worse science fiction films to have, ahem, homaged. Most 
          impressively, for a movie that literally does look like its videogame 
          origins, it feels far less like a game than many of this summer's other 
          movie offerings, even in its fight sequences. Co-writer/Director/Creator 
          Hironobu Sakaguchi clearly cares about his narrative. It's refreshing, 
          and bodes well for other game creators interested in dabbling in film.
        
 What really gets 
          jarring is the animation. Yes, in some places everything looks plausible. 
          That only serves to distance the audience when a sequence looks like 
          animation instead of live-action. I found myself judging how each character 
          looked, instead of giving in to the whole thing. Part of it is, Maxim 
          cover aside, some characters still bear the signs of traditional anime 
          design, even Aki. Only Dr. Sid consistently looks like he could be a 
          real person, though in close-up, that would be a real person under a 
          lot of latex make-up. Don't protest that it's clearly animation; a lot 
          of the pre-release publicity for this film consisted of bragging about 
          how real these characters look. The claim has to be held up to scrutiny.
        
 So actors should 
          not be worried about being replaced by digital counterparts. Yet. On 
          the other hand, being digital should appeal to many. In live film, Baldwin 
          has grown too old to play the young romantic lead, as Pearl Harbor 
          would attest. Here, he gets to play the role that Ben Affleck would 
          have, and he gets to even look like Affleck. Steve Buscemi can bring 
          his loony energy to a role and still look handsome. With digital actors, 
          you can be anything you want to be.
        
 In the context 
          of Final Fantasy, it proves a little disturbing. We've grown 
          used to traditional animation molding characters after the actors playing 
          them. Sakaguchi's team has instead made the characters look like whatever 
          other actor they wanted: Hain resembles Christian Slater far more than 
          James Woods. And Frasier's Peri Gilpin looks suspiciously like 
          J. Lo, right down to the booty.
        
 But why not break 
          tradition? Instead, Final Fantasy (which never seems final, does 
          it?) may be the harbinger of things to come.
        
        
        Derek 
          McCaw