Without a doubt, Andy Stitzer (Steve Carell) is one of 
                      us. His taste may not be the greatest, as he has a framed 
                      Marvel Age comic book on his wall, but he more than makes 
                      up for that with the sheer volume of his collections. At 
                      one point, he admits to having 47 G.I. Joes (we assume the 
                      classic version) in their original packaging. For some, 
                      he would seem to have a perfect life, but for one thing. 
                      He is The 40-Year-Old Virgin. 
                    
 Once that fact slips out, co-writer/director Judd Apatow 
                      can get his plot rolling. To be fair to those that savor 
                      structure, it's really not much of a plot, more a series 
                      of black-out sketches detailing Andy's inner life and his 
                      friends' struggle to get him in bed with a woman. But it 
                      works, and manages to be both outrageous and low-key.
                    
 Building from a sketch set at a poker game, co-writer 
                      Carell carefully explores his character but also gives his 
                      co-stars plenty to work with. This is a hard film to explain, 
                      as it has a pretty positive message but doesn't shy away 
                      from just how gross guys can be when they hang out together.
                    
 And they are gross, in various states of arrested development 
                      when it comes to women. Jay (Romany Malco) thinks of himself 
                      as a true playa, advising Andy that he's got to set his 
                      sights low so he can get some experience before finding 
                      the woman he really wants.
                    
 Agreeing but with a different energy, Cal (Seth Rogen) 
                      coaches Andy in seeming aloof and mysterious to bookstore 
                      clerk Beth (Elizabeth Banks). It works, but not quite the 
                      way Cal had intended.
                    
 Rounding out Andy's circle of friends, Paul Rudd turns 
                      his confident persona on its ear as David. The guy may have 
                      the healthiest attitude out of the three, but he's fixated 
                      on a relationship he had two years earlier. The script is 
                      smart enough to sneak in both sides of the story, too, for 
                      good effect.
                    
 
As for Andy, he just wants to find somebody nice. Being 
                      a virgin isn't so much a conscious decision as it just never 
                      quite worked out. And we see how it didn't quite work out 
                      in a montage of cringe-inducing scenes. When single mom 
                      (and hot Grandma) Trish (Catherine Keener) literally walks 
                      into his life, it's clear that for Andy, a relationship 
                      is both destined and too much work.
                     The 40-Year-Old Virgin is not a perfect comedy. 
                      Though the laughs keep coming, a few scenes show the seams 
                      of being tacked onto a sketch idea. Trish owns a "We Sell 
                      It On eBay For You" store. Though such things do exist and 
                      Carell and Apatow try to do something with it, the scene 
                      set in that store ends up being weird and goes nowhere. 
                    
The concept works, as it provides a turning point for Andy. 
                      When Trish suggests he sell his collection so he can open 
                      a stereo store, it's not just Andy that freezes. The whole 
                      audience does. Be warned that for just a moment, this is 
                      a horror film. 
                    
 It's also still hard to decide if the idea of Trish having 
                      a 21-year-old with a daughter herself makes any sense, as 
                      they're the only two characters referenced that never appear, 
                      though they weigh heavily upon the guys' estimation of Trish. 
                     Apatow hasn't quite adjusted to directing for the big 
                      screen yet, either. The lighting has a flat feel more suited 
                      to television, and many scenes are framed for the boob tube. 
                      But he also has an incredible touch for capturing nuance, 
                      as he showed in series like Freaks 
                      and Geeks and Undeclared. Brilliant but slightly 
                      offbeat actors like Carell, that can deliver funny but natural 
                      cadences, need directors like Apatow. 
                    
 And then there's the chest-waxing scene. Shot live, and 
                      quite possibly with a hapless real-life beautician (she 
                      can't decide if she's horrified or amused by the cursing 
                      Carell throws at her), it may be the single most brilliant 
                      comedy scene of the year. 
                    
 In a movie with a lot of winners like that, it's easy 
                      to forgive the flaws.
                    
Rating: 