| The 
                    Fourth Kind The most 
                      frightening scary stories from your childhood are likely 
                      the ones that the teller claimed were real. Stories that 
                      started, "You know that abandoned house over on Forest 
                      Street? Well, you know why no one lives there?" The 
                      risk is when one tries to overplay the sincerity.
 It's 
                      one thing to suggest a story is real and let it stand on 
                      it's own merit. It's quite another to assert, assure, and 
                      insist a story is real and then attempt to back up your 
                      claims by producing a poor-quality Polaroid of the ghost/killer/alien 
                      that you saw with your very own eyes.At 
                      that point, you may well have put more on the line than 
                      you intended. 
                     Like 
                      those ghost stories, The Fourth Kind is an alien 
                      abduction movie that makes the assertion of it's authenticity 
                      paramount from the very first sequence, and as a result 
                      it's a movie that lives or dies based on your opinion of 
                      that move. 
 The conceit of The Fourth Kind is a new twist. 
                      It claims to be a melding of dramatic reenactment and actual 
                      recorded footage concerning events in Nome, Alaska in October, 
                      2000. Milla Jovovich plays Abigail Tyler, a psychotherapist 
                      in Nome whose husband has recently died under mysterious 
                      circumstances while conducting a sleep study. It seems some 
                      people in Nome are having a hard time sleeping, and are 
                      all being woken up at the same time by a strange owl staring 
                      at them through their window.
 
          As Tyler 
                      digs deeper and uses hypnosis to try to help her patients 
                      access their memories of what's disturbing their sleep, 
                      her methods have some unsettling results, and her search 
                      turns up some creepy evidence that alien abductions (or 
                      the "Fourth Kind" of alien contact) are going 
                      on in Alaska's northern-most city. 
              		    |  |  
 The Fourth Kind opens with straight-faced assertions 
                      from both its lead actor, Jovovich, and the writer and director, 
                      Olatunde Osunsanmi, that everything in the movie is based 
                      on documented events and that the video footage in the movie 
                      is real. The movie has some solid scares as it is, but if 
                      their claims of the authenticity of the footage is to be 
                      believed, this would be one of the most terrifying events 
                      I've seen in my life.
 Given 
                      the extreme and almost conclusive nature and content of 
                      the "real" footage, this invariably leads to the 
                      question: If this is real, why have I never seen it or heard 
                      of it before? And why has it been relegated to a sci-fi 
                      / horror hybrid movie eight years after the fact? 
 The documentary footage is definitely suspect. The "real" 
                      Abigail Tyler, when shown in interview footage with Osunsanmi, 
                      looks like an alien herself, with a sallow, almond-shaped 
                      face and huge, constantly moist eyes. (She also looks nothing 
                      like Milla Jovovich.) The primary source material of video 
                      and audio tapes, which makes up the backbone of the most 
                      frightening portion of the movie, is invariably and conveniently 
                      scrambled or distorted at the very moment the visual would 
                      be most conclusive. Not to mention the fact that nobody 
                      in Nome has ever heard anything about the events or people 
                      depicted or documented in the movie.
 
 The movie's assertions of validity force you ask yourself 
                      the question: How do you feel about the idea of being manipulated? 
                      Not by aliens, as the movie would like you to consider, 
                      but by a potentially unscrupulous filmmaker. Osunsanmi clearly 
                      feels that the claim that the documentary footage is real 
                      is essential to getting the gimmick of the movie to work, 
                      but by making the claim with such bravado, there is the 
                      unintended consequence of making it the primary focus of 
                      the movie and forcing people to start to make up their minds 
                      right away.
 He also 
                      forces conversation or consideration about the movie away 
                      from anything except whether or not it is to be believed. 
                      As people don't like the idea of being duped by something 
                      that's so suspect, they will likely either roll their eyes 
                      at the assertions of validity or spend the length of the 
                      movie being creeped out and frightened, and then roll their 
                      eyes at the assertions of validity. 
 The distraction is unfortunate, because there are definitely 
                      some things about the movie that work. If you can get past 
                      your cynicism and accept the conceit, there are some wonderfully 
                      scary elements at work here, including a voice-activated 
                      micro-tape playback that made my skin crawl. The documentary 
                      footage has some of the most startling and potentially disturbing 
                      imagery and sound in recent memory. (Though I will admit, 
                      I have not seen Paranormal Activity.) Some of the 
                      gooses are aided by a booming sound mix on steroids, which 
                      is a cheap trick, sure, but effective none the less.
 Assuming 
                      it's almost completely fabricated, and not an occasion to 
                      start wearing aluminum foil on your head and planing for 
                      the impending invasion, the movie works on its own as a 
                      scary alien abduction story with some pretty intense and 
                      frightening "real" footage. As a completely honest 
                      reenactment and presentation of documentary footage, it's 
                      a rough pill to swallow. Unfortunately, 
                      the movie's attitude makes you feel like you have no choice 
                      but to choose a side and ends up pushing even those who 
                      enjoyed the movie into skepticism. Now, do you want to see 
                      my picture of the ghost that lives in the abandoned house 
                      on Forest Street? It's kinda fuzzy, but if you look real 
                      hard...   |