| The 
                  Cat In The Hat  Have 
                    you ever left a bunch of crayons in a hot car for a few hours? 
                    I did that once when I was a kid. My mom's car had a black 
                    vinyl interior and it got hotter n' Hades in there. The resultant 
                    mess was brightly colored and kinda pretty. However, it ruined 
                    the back seat floor-mat of the car and was completely useless 
                    for coloring purposes. 
                   Dr. 
                    Seuss's Cat in the Hat is also a brightly colored, completely 
                    useless, sticky mess. Mercifully, at 78 minutes, it's less 
                    of a strain on the floor-mats of my mind than it could have 
                    been, and the first act of the film is almost entertaining
until 
                    the Cat shows up.  Oh Mike 
                    Myers
why? Why ruin this icon of childhood when you 
                    claim to have so much reverence for it?  As necessary 
                    when expanding a children's picture book into a feature film, 
                    there was quite a bit of plot padding. Kelly Preston plays 
                    Joan Walden, mom to Conrad and Sally, and a real estate agent 
                    for Sean Hayes' neat-freak Mr. Humberfloob. Dakota Fanning 
                    and Spencer Breslin play Sally and Conrad, two polar opposites 
                    who both have a thing or two to learn about fun. Sally is 
                    a hyper-meticulous stick-in-the-mud who plans each detail 
                    of her life, even spontaneity, on her palm pilot; Conrad is 
                    an irresponsible terror who never considers the consequences 
                    of his actions.  Alec Baldwin 
                    plays sleazy next-door neighbor Quinn, who's desperate to 
                    marry Joan and send young Conrad to military school. His character 
                    seems largely unnecessary; perhaps he's there to provide a 
                    character more loathsome than the titular Cat.  Mr. Humberfloob 
                    has volunteered Joan's house for a company party, and if it's 
                    not scrupulously clean, her job is toast. Joan goes home to 
                    prep the house and mind her kids, but Humberfloob calls her 
                    back into the office. Joan calls Mrs. Kwan, played by Amy 
                    Hill, to baby-sit, and she falls asleep for most of the rest 
                    of the movie. Lucky her. 
 Before I go any further, I'd like to state for the record 
                    that up until this point the movie has been fairly entertaining. 
                    Sean Hayes is quite funny as Humberfloob, the kids are decently 
                    fleshed out characters, and the "Parent-Trap" sub-plot 
                    is kind of amusing. Visually, the flick has a lot to recommend 
                    it; the art and costume design are both faithful to Seuss. 
                    I was starting to think I had been unfairly prejudiced, as 
                    I had with Elf.
 
 Enter The Cat.
 Oh God 
                    it was awful. Mike Myers in whiteface, wearing what looked 
                    like the pelts of slain black and white teddy bears, convulsed 
                    onto the screen and proceeded to annoy us all to death. Departing 
                    from the standard Seussian quadrameter, Myers spoke in a snarky 
                    Jewish accent with frequent forays into Cowardly Lion mode. 
                     When Seuss 
                    verse did sprout out of his mouth he droned the lines by rote 
                    as if they were something he didn't really want to say. Though 
                    I doubt it was intentional, Myers seemed to feel nothing but 
                    contempt for the original Cat in the Hat character, and was 
                    determined to remake him in his own image. 
 The cat 
                    I remember was wacky and fun, yes, but he was also fully in 
                    control of what was going on. Always smiling and calm, he 
                    let the chaos swirl around him, always sure he could clean 
                    it up in the end. The kids didn't know it, but the Cat did. 
                    
 Myers' 
                    Cat is a spastic mess; arms flailing and fur flying, he looks 
                    like he's hopped up on speed. The scriptwriters, or perhaps 
                    Myers himself, injected some off-color jokes, probably designed 
                    to hold the adults interest, but they came off as vulgar and 
                    inappropriate.  The one 
                    bright spot was the underused Goldfish. Hayes provided the 
                    voice (of reason) for the Cat's foil, and he alone spoke the 
                    Seussical lines like he meant them. Alas, the character was 
                    reduced to a shrill irritant, and his role as Mom's mouthpiece 
                    went by the wayside in favor of Myers' unfunny antics.  Kids may 
                    like this one; grownups probably won't. Points for art direction 
                    and non-Cat casting, but if you have to see it, sneak in and 
                    don't give them your money. It'll only encourage them to rape 
                    another classic Seuss story. Note 
                    to Brian Grazer: You've 
                    gummed up the GrinchYou've skinned the poor Cat
 You may think the Lorax
 Is next up to bat,
 I speak 
                    for the treesWhen I threaten and plead,
 A third Dr. Seuss flick
 Is not what we thneed!
 
 Rating: 
                     
 
				   
				   
				    
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