Cinequest
2006: Belated Garcias
...a.k.a. Cinequest: The Christopher J. Garcia Awards
for Outstanding Achievement in the Field of Maverick Filmmaking
Excellence. This marks Garcia's fourth year handing out
these awards, and if any of you attended Cinequest this
year and brought your family of billy goats, we apologize
for any siblings Garcia may have devoured.
Why was he late this year? Totally Derek's fault. But
I'm finally getting around to posting the pieces sent to
me, and Garcia has my gratitude for this piece. We at Fanboy
Planet must support the festivals and events near us in
the Silicon Valley.
I’ve been going to Cinequest every year since 2001.
I’ve been taking a full two weeks of vacation to go
and work hard announcing films, hang out with filmmakers
and just plain watch a lot of movies, and every year it’s
harder to ease back into the tub that is my regular life.
This
year’s Cinequest was different from any other year
I’ve gone. There were fewer films that I just had
to see. I wasn’t working nearly as many hours. I had
a movie in the fest (The Last Woman on Earth, starring
the wonderful Kate
Kelton) and all of that added up to a weird two weeks.
As always,
I give out these little awards, and this year is no exception,
so here we go:
Best
Ego Boosting Reaction- My Five Seconds of Screen
Time in The Last Woman on Earth.
I produced Last Woman and had a brief part in it as well.
I basically did one physical joke and it got a laugh from
the full audience at The San Jose Rep. I still got it! You
can see The Last Woman on Earth at IFC
Media Lab (ifc.com)
Best
Reaction to a Film- Walkout by Edward
James Olmos
When you gather a packed theatre like the California (total
seat count: 2000), and then show a film about the Mexican-American
walk-outs of the 1960s, you’re sure to get a great
reaction. The crowd that gathered to see Walkout
(starring Alexa Vega of Spy Kids as well as that
guy who played Pedro in Napoleon Dynamite) was
so enthused that everything that happened on screen was
gold and they gave it back. It was hard not to get swept
up in the momentum, and if Eddie hadn’t been there
waiting for his Maverick Spirit Award. It reminded me of
the stories of the original Rocky with people reacting
to the finale like it was a real boxing match.
Best
Opening Night Film EVER!- Thank You For Smoking
Typically, the Opening Night Film for Cinequest has been
a little movie, once in a while a really good little movie,
but seldom is it one that’s as much fun as Thank
You For Smoking. Directed by Ivan Reitman’s kid,
TYFS is now in theatres and is well worth a view.
I thought Santa Clara County’s own Aaron Eckhart was
great as Nick Naylor and that my man William H. Macy was
jut as good. Add to that a weird script that took the perfect
amount of liberties from Christopher Buckley’s source
materials and you have the best opening night film I’ve
ever seen.
Best
Short (Silent and Old)- One Week
The last two years, Cinequest has been showing silent movies
on Friday nights. This year they opened with Metropolis,
which sadly I missed, and then they did a Buster Keaton
affair the second Friday. The feature was Seven Chances,
which was remade as The Bachelor a few years back
by ...Chris O'Donnell? The short was called One Week,
in which Buster and his new bride had seven days to build
a house from a kit. It was really funny with all the stunts
you’d expect from a Keaton film.
Best
Short (Mindbender)- The Marionette
I was lucky enough to get to Holly and Wayland, the creative
team behind one of the most twisted films you’ll ever
see. The Marionette was a story of an actor who liked to
play games with his wife and his intern. It’s a weird
and crazy, dark and creepy film that you have to see to
understand.
Best
Short (Comedy)- The Last Woman on Earth
Did you really think I’d say anything other than that?
Second
Best Short (Comedy)- The Method
Maybe it was the fact that it was buried in a bunch of shorts
that tended towards the depressing, but The Method (not
the Julian Kheel Method, which was also hilarious, but the
other one) was a funny story about a guy who robs a Coffee
Shop as a part of the plan to win an acting role. Solid
and really funny.
Best
Documentary- Andrew Jenks Room 335
If you’re ever looking for a film to understand what
real old people are like, find a copy of Andrew Jenks. It’s
the story of a guy who Spurlocks himself into several weeks
in a retirement home. He forms strong bonds with many of
the residents, including a tough and comically mean old
dude name of Bill. It’s a great doc and one that should
be seen by everyone. On par with some of Cinequest’s
best docs, like Spellbound and Story of the
Weeping Camel.
Best
Party- Closing Night
Seldom do any of the parties disappoint, but this year it
was an amazing closing night. Everyone was there, flirting
happened, the food was top notch and the outfits were cleavageful.
Impressive!
Best
Mind-Blowing Feature- Next Door
It’s hard to say a lot about Next Door. It’s
Norwegian and it’s bizarre and it’s so weird
you kinda forget that it’s a psychological thriller
the whole way through. It’s easily the best twist-ending
I’ve seen in ages and it’s so much fun. There’s
a sex scene that just makes you wanna do the nasty and fight
someone. Trust me, you’ll think so too.
Best
Short- The Lookaway Life
In one of the strongest Shorts programs we’ve ever
put together, The Lookaway Life is the story of
a man who is so ineffectual that he can’t argue with
his wife. So naturally, he hires a hooker to fight with
him. It’s strange but the film, which deals with no
only the man’s troubles but with the hooker’s
expectations, is so powerful and intense that it takes a
while to get used to the level of emotion and then make
the swing out of a fantasy into the real world hotel room
where it all happens. Powerful filmmaking.
Best
In Fest- The Mindbenders Program
OK, here’s the weird thing: I don’t think I
saw a single feature film that hit me so hard as all the
Mindbenders did together. When we were programming these,
we were purposely choosing films that would make a regular
viewer go ‘What the…” and we managed to
pull that off. There films about torture (The Marionette,
A Through M) and about action (Lucky) and
about Furry Animals and B-B Guns (The Second Death)
and even about the Eye of the Bear Tiger (Keep It Real,
Dawg). Strange, bizarre and worth every second. People
watched out at various times, sometimes over content and
swearing (Phone Next Grandma was one filthy piece
of work at the 1.3 Aristocrats level) but no one
fell asleep because the material was that out there. What
makes that more amazing is that the show started at Midnight.
Another
year come and gone and a powerful effect was left on me
as always.
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