Countdown
To Final Crisis #1
writers: Paul Dini and Keith Giffen
artists: Tom Derenick and Wayne Faucher
In our hearts, we knew this was how it would
go down. Fifty-two weeks of faithfully reading Countdown,
and all of it really just serves as a preface to yet another
event.
With only a week to breathe, even the book's
most earth-shattering revelation has been negated by DC
house ads. Last week, I mentally gave DC credit for doing
the unthinkable: truly bringing the New Gods saga to a close
and killing Darkseid. In the final issue, Jimmy Olsen even
comments upon Forager being the last of that race, a character
without a world or an anchor to this reality. Darkseid is
truly dead.
Until next month.
So at the risk of spoilers…
Spoilers!
You've been warned. Let's take a look at
where Countdown to Final Crisis has left us.
Some may have had fears that the multiverse
would disappear. So far, the concept remains, but with that
ridiculously specific number of worlds - and the ridiculous
notion that Jimmy Olsen can tell absolutely no one about
it because, well, because he can't. With Grant Morrison
writing Final Crisis, it would be safe to assume
that he'll revert reality to a more Hypertime-like sensibility.
With infinite variations, it just doesn't make sense that
only 52 realities exist.
At least I'm grateful that they do exist,
though Darwyn Cooke's assertion in The New Frontier Secret
Files must always be kept in mind. New realities are
created every day; we used to call it "fiction." Anyway,
somewhere out there Earth-S remains, a place where the Marvel
Family don't worry about their being a potential trademark
violation, and instead can concentrate on being fun. Thanks
to the last year of DC's books, and this one in particular,
the "regular" Marvel Family has become unrecognizable, grim
and flat-out stupid.
Granted, Mary Marvel might have become
too innocent as a result of Giffen and DeMatteis' work with
her, but at least that was an exaggeration of what had gone
before. She was also a voice of reason within the Marvels,
providing a calming feminine influence. Now her journey
has made her dark and dangerous, willful and spoiled. Maybe
that's realistic for a teen girl, but just because some
teens behave that way doesn't mean all do - and shouldn't
characters like the Marvel Family serve as exemplars, not
as examples?
Perhaps there's a long-term editorial plan
to bring Mary back around to the side of good, and it's
not like a lot of teen girls are reading DC's superhero
books anyway. But like the super-hoochie Supergirl, Mary
has become a character no thinking comics-reading father
would want to offer his kids. At least Freddy Freeman remains
somewhat noble, even if the mythology seems all screwed
up now.
Another mythology messed with concerns
Jack Kirby's post-Great Disaster. As we all expected, Buddy
Blank becomes the true OMAC we know and love (?), leaving
the updated models of the last couple of years out in the
cold. But it doesn't make sense, because it also undoes
the barely weeks old revelation that Blank is also the grandfather
of Kamandi, who wouldn't be Kamandi if he both remembers
his name and only stays in Command-D for a few days.
On the other hand, a reality that must
be faced is…well, most modern fans don't really know a thing
about Kamandi, or OMAC or for that matter even the Marvel
Family. It's really hard shaking a continuity fist from
this old rocking chair on the porch. A nurse will be by
with my medication soon.
In the new reality, though, we're left
with an unlikely team of people without Earths. Ray Palmer
renounces his citizenship of New Earth (Earth 1? Earth 1
- A New Beginning?), mainly because his successor Ryan Choi
continues doing decently in a book titled The All-New
Atom, which has lasted longer than any book featuring
Ray Palmer in that role.
Joining Ray, or forcing Ray into heroism,
are Donna Troy, a woman with continuity so screwed-up not
even Mark Waid could tell you what Earth she's supposed
to be from now, Kyle Rayner, the Green Lantern That Nobody
Wanted From An Earth Nobody Bothered Developing, and the
aforementioned Forager.
I'm going to admit to their being bad-ass,
but how exactly did this grouping become so powerful they
could make the near omnipotent Monitors quake in their boots,
establishing themselves as a watchdog committee? Who monitors
the Monitors? Who must carefully avoid using the actual
Latin phrase in order to not cause Alan Moore to cast a
spell against Dan DiDio?
Only Gotham City seems to be recognizable,
with a barely perceptible change in status quo that should
make things actually interesting for Batman. Having spent
time with a far darker version of Batman, Jason Todd returns
to, um, actually be pretty much the exact same character
he was at the beginning of his return to life. At least
Harley Quinn seems to be more firmly on the side of good
with Holly Kyle as her new partner, even if penciler Tom
Derenick now draws her as if she was a teen-ager. Could
someone please remember that as crazy as she is, she has
a PhD?
Will any of it have resonance, though?
That's the frustrating thing. Holly tells Harley never to
change; though that's out of the question, it would be nice
if we could wait at least another year before things change
again. Instead, we only have a month.
And, darn it, we'll dive right back in
again.