The
Fanboy Planet Preview Spotlight 03/29/06
Page
1 -- The New Avengers: Illuminati
Also Out This
Week:
Blue Beetle
#1: In perhaps the best tease for Infinite Crisis,
the just introduced new Blue Beetle returns from space (we
hadn't even seen him leave yet) after successfully aiding
some of the big guns in saving the world. The fly in the
ointment, however, is that an angry Guy Gardner attacks
before the new Beetle can get his bearings. Something happened
to make everybody hate him. This new take on a tyro hero's
insecurities has an interesting freshness to it, and the
quieter moments of his previous "normal" life hit the right
notes. But there's also an ugliness to this that's quietly
off-putting. I can't say I hated it, but I wanted to more
than just kind of like it.
Captain America
65th Anniversary Special: For Captain America's anniversary,
we get a tale of young Bucky in love. Though well told,
it plays out rather predictably, a set-up for a couple of
future arcs in the regular book - indeed, it could have
just been done in a short arc for the regular book. Still,
Eric Wight does a good job drawing a story that falls somewhere
between the specialties of Jack Kirby and Mike Mignola.
Fantastic
Four #536: Yes, they're homicidal, among other things,
but when J. Michael Straczynski writes them, Doombots are
funny. The soldiers defending a certain mystical object
(totally blown by the cover) probably wouldn't agree. Nor
would the Fantastic Four, each given a great moment to shine
in this issue. Though it's almost all set-up, JMS and Mike
McKone have the story hopping along at such a great clip
it's hard to notice that it's almost one big fight scene.
Pay attention to this issue, too, for its promise of "another
story for another time." In a couple of months, I suspect
that one or two panels will have fanboys jumping up and
down in glee as they pay off.
Lucifer #72:
Mike Carey's story here is so densely layered, I'm afraid
I have to say you might want to wait for the trade if you
haven't already been into this series. Lucifer reads
richly when digested in huge chunks. In this issue, new
"creator" Elaine Belloc works on the vision of reality,
while Lucifer tries to leave his old ways behind. Again,
a worthy heir to The Sandman, Lucifer stands
as a series that proves over and over how worthwhile a comic
book can be to stand as literature.
The Sentry
#7: Though this book is better than it should be, it's
been going in circles. Every issue has pit the same question
against reality, with differing results. For at least two
issues, the Void has had some vague secret that he keeps
vaguely allowing others to taunt the Sentry with. I'm entertained,
but come on, it's getting old. Like House of M before
it, The Sentry feels like a good story that could
have been told twice as well in half the space.
Spider-Man/Arana:
The Hunter Revealed …to be just as boring as it ever
was. But this time, Spider-Man gets dragged down for an
entire issue, instead of just a token one-page appearance.
Uncanny X-Men
#471: Billy Tan does some cool work on a story that
has to make you wonder about the Marvel U.S.'s PR team.
Already little kids are playing with Sentinel toys? The
visuals of the fantastic underscore the franchise's strengths
while also highlighting a weakness - the casualness of traumatic
events. Rachel Summers has just lost her entire extended
family, gets revenge with the help of her team and can end
it all with a hug and shrug saying, "I'm my mother's daughter."
The Warlord
#2: Bruce Jones keeps turning the Mike Grell classic
on its head. In this retelling, Travis Morgan doesn't find
that he fits in to the lost world of Shamballa perfectly;
instead, it's his modern military knowledge that makes him
fit to lead the people to freedom. Though the story suffers
from a few sword and sorcery clichés, an occasional nice
touch from Jones and still pretty interesting artwork from
Bart Sears make this book worth a look.
Zombie Tales:
The Dead Another winner from Boom! Studios, the third
in their series of zombie anthologies. Not every story is
a winner, but "Zoombies" is almost worth the price of the
book by itself. Out of five tales, three have unique takes
and are a lot of fun. The other two will still probably
satisfy zombie fans. The undead just keep on shambling toward
good sales.
Sight Unseen:
Action
Comics #837: It's One Year Later, and Superman
knocked us for a loop. So it's a foregone conclustion that
we have to pick this one up.
All-Star
Superman #3: While the other Super-books look one year
later, Grant Morrison and Frank Quitely look back to a silvery
age that never quite was, infusing new ideas with good old-fashioned
mile-a-minute storytelling. They absolutely get Superman,
and while other writers and artists can say the same, right
now none of them are working to prove it with such conviction.
Lost In Space:
Voyage to the Bottom of the Soul TPB: Bill Mumy himself
orchestrated this serious follow-up to the television series
that made him a star. Well over a decade ago, Innovation
Comics began the mini-series, then went belly up through
no fault of Irwin Allen's classic franchise. At last, I
get to see how it ends. And you should pick it up to see
the whole thing.
The Thing
#5: Speaking of Things, this book rocks. It doesn't
tie in to any larger event. It's appealing to adults and
children. And it's got lots of superheroes doing what they
do best. Keep this book alive, if for no better reason than
it's funny, heartfelt and again, best of all, IT ROCKS.
Victoria's
Secret Service #1: No clue. But I love the title. Is
that so wrong?
Hey, write to us and
let us know what you think, or talk about it on the
forums!
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