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                    HELLBLAZER #200 Story: Mike Carey
 Art: Steve Dillon, Marcelo Frusin and Leonardo Manco
 First, the good news. Hellblazer 
                      #200, the double-sized milestone issue, does what you'd 
                      imagine it set out to do. Rosacarnis makes the most of Constantine's 
                      day as her slave, setting up three new characters that should 
                      provide rich, exciting storylines for at least fifty more 
                      issues. A number of old faces make cameo appearances. And 
                      best of all, there's almost no chance the storylines to 
                      come could ever tie in with the movie. The 
                      bad news is that it's just a setup issue. There's 
                      a little jolt with the introduction of the first character; 
                      the tease is well-crafted, a "what if John had settled 
                      down to raise a family with Kit?" scenario. It's also 
                      crisply and brightly illustrated by Steve Dillon, adding 
                      to the sense of a Garth Ennis flashback. After that, though, the second and third 
                      parts of the story retain all the surprise value of a row 
                      of pawns being placed on a chessboard at the start of a 
                      game. The sequences have their interesting moments, but 
                      by this point we know what's going on, and we know better 
                      than to care. It's unclear how Rosacarnis does what she 
                      does with only one day -- how she divided the time, and 
                      given the supernatural nature of what happens, what significance 
                      the time period has at all. But hey -- it's magic, who needs 
                      logic? This 
                      is a pivotal issue in Hellblazer history, but its 
                      value as independent narrative doesn't stretch beyond that. 
                      It makes cursory gestures at what has come before, but its 
                      gaze is focused squarely on the character development and 
                      hellraising to come.  Rating: 
                       
  
                       
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