Falls
Count Anywhere
04-25-03
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No matter
what I say, you'll just look at the picture.
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Welcome
to Falls Count Anywhere. My name is Chris, and I am quickly
getting too big for my britches.
SmackDown!
With all the bad talk this show has been getting, I wasn't
expecting anything much. They must have polished it up in
post, as I enjoyed a goodly portion.
Cena opened
things up. He actually did a nice little promo. It's true,
the man can talk. I actually care about his challenge a little
bit, which is amazing. Rhyno is a star in the making, and
the fact they have a fine little opener says that they are
both walking right towards stardom.
Hey, the
FBI is doing their thing, and I am not annoyed. I didn't think
that was possible. Sable shows off her business. YEAH! Her
face is a handle away from being a suitcase, but I still appreciate
her bod.
Pushing
the whole visit to Norfolk is kinda slimy, but then again,
if it was anyone but the WWE, everyone would be cool with
it.
Nunzio
and Chris Benoit. I really like these two. Their respective
styles mesh well, but the whole FBI interference thing lessened
it. I wouldn't mind seeing these two have a full length match.
You know,
seeing Nunzio and Benoit really makes me want to see Taz back
in the ring. He would work magic with these guys.
Mysterio
vs. Matt Hardy
psych! Crash joins the Hardy flock. Great
Tornado DDT. It is quickly becoming the move de SmackDown!
Really good stuff.
They should
never dig up blown spots for TV. It encourages the audience
to react to dangerous situations.
Rikishi
and Piper meet. What did I do? Wear a shirt! Wear a shirt!
Not too good, but it coulda been worse. Sean O'Haire may get
something from this Piper association. Piper should just be
kept talking.
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It's too
soon to get an actual picture of the challenge from
WWE. Remind us on Monday. In the meantime, click for
the full-sized version of this one.
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Sable
Invitational Bikini Contest. No matter what I say, you'll
just look at the picture. Torrie and Sable give Bound a run
for its money.
Chavo
vs. Benjamin was fine stuff, but obviously not what the crowd
was looking for. Chavo is just so great. It was obvious that
this match just happened to give an excuse for the teams to
post-match brawl. Still, good enough.
Big Show:
bad. Tajiri: always entertaining. This wasn't good, but again,
fun for what it was. Tajiri's comebacks were well done. Beautiful
springboard enzugiri by Tajiri (as if you might think that
Big Show hit one)
Ninety
Dead Tigers, dude. 90 of 'em. What does that have to do with
wrestling? Nothing, but I'd still rather have 90 dead tigers
than Hulk Hogan under a mask as Mr. America. Gratuitous Ass
shot of Stephanie was sweet.
A lot
of Cena. He's not huge over yet, his responses are getting
better, though. It's like HHH back in 1999, getting shoved
down our throats, but in the end, it'll for the best.
Wow, this
A-Train vs. Brock match was long. It felt like one of those
long 1980s matches that Hogan would find himself in. It wasn't
bad, since Brock is 100 times better than Hogan, but too long.
Still, did the duty for the show.
All in
all, a better show than I had heard, but not great.
NEWS
Jeff Hardy has been let go from the WWE. The truth is, it
was more of a mutual thing, as he has not been happy for months
and his work has shown it.
I think
this could be a big deal, as he is easily the most over wrestler
let go in recent months, and if he wants to wrestle again,
he would be great working with the X-division guys in TNA.
The Hardys
were on the road to being one of the legendary tag teams,
but splitting them up killed any chance Jeff had of working
big time. Shame too, as Matt has just started to take off
and Jeff had just blown his last push. No word on what this
means to Lita or anyone else in the fed associated with Jeff.
The
Paul Hough Interview
For those of you who don't read my Festival Movie reviews,
Paul Hough is the director of the fantastic documentary The
Backyard. He's a graduate of NYU, a school that has
high enough standards to not accept me. His film has played
at festivals around the world, and has theatrical releases
set up. I met him at the Sonoma Valley Film Festival, and
his doc will be showing at the Coachella Film Festival this
year.
Chris
Garcia: OK, when did you start watching wrestling? Were
you strictly a WWF fan?
Paul
Hough: I started watching wrestling just maybe a year
before Ultimate Warrior Vs. Hulk Hogan at Wrestlemania 6.
I was originally a Hulk Hogan fan - but after that match -
which I consider the greatest of all time - switched to loving
The Ultimate Warrior.
CG:
I've read elsewhere that you worked on the Women of Wrestling
pay-per-view. What was that like? Was there the general disorganisation
that the sheets talked about? And, did you get to touch Lana
Star?
PH:
Yeah, I directed about half of the entrance videos eg. The
Riot car explosions, the Lana Hollywood intro, the Swimsuit
stuff for the PPV (that was fun!) I still have some of the
Lana footage if you want it for your personal collection.
I really
think this could've been a great show - but yeah - there was
a ton of bulls**t. I've never experienced such professional
backstabbing as I did on that show. I think I may still be
under contract not to talk about it...
CG:
The Backyard features some fairly brutal moments, and some
very passionate reactions to them. Was there any moment where
you yourself felt uncomfortable with what you were seeing?
PH:
Well as you said a lot of it is pretty brutal. When you see
a kid get thrown into a grave - covered by a plank of barbed
wire which is on fire - it's hard not to react when shooting.
When I turned up somewhere I never knew what to expect.
Luckily
once in Arizona a photographer came with me who was a second
degree black belt. We were at this tough, tough federation
called HIW - where even the audience carried knives...literally.
After about 5 minutes there a punk kid pulled a knife on my
photographer, and as I spun around I saw something out of
a Jackie Chan movie - as the photographer disarmed the kid.
I just
regret the camera wasn't rolling. Otherwise there was one
other situation in gangland Modesto that stood out as being
completely scary - but at the same time I felt protected by
the various wrestling federations.
CG:
What was the strongest reaction you've seen to the film? Anyone
ever angrily storm out? Anyone throw up?
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Van Dam
has taught us so much, including about fashion.
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PH:
Someone fainted at our first screening in Austin, Texas. Lots
of women walk out of the movie - and they're pretty vocal
about it too. Originally, I had a lot of anonymous emails
from "pro wrestlers" vowing to hunt me down because
they didn't want a movie about backyard wrestling to exist
- but then I got emails back with apologies once they'd actually
seen the movie.
CG:
The Lizard is an amazing character. The fact that him making
the cut of 250 of TE2 got a pop from the Sonoma crowd really
speaks to his impression. How'd you find him?
PH:
I got really lucky with The Lizard. He was a wrestler I noticed
in a federation in Modesto - and something just struck me
about him as him being someone I should follow. I was pretty
apprehensive at first since he seemed a pretty scary guy...but
we've become great friends and a lot of good things are happening
for him.
CG:
Do you keep up with the folks you featured?
PH:
Yeah - pretty much everyone. I have a newsletter at www.thebackyardfilm.com
which they're all on.
CG:
Have you watched any of the Best of Backyard tapes? What do
you think of them?
PH:
I watched a couple of them a few years ago. A lot of the "deathmatch"
stuff is from HIW who are featured in The Backyard.
CG:
Any plans to do more with wrestling? Other documentary? Perhaps
directing my script of the Brian Pillman story?
PH:
I'm working on a new wrestling show.
CG:
More than one person who's seen it has called it the "Beyond
the Mat" of the backyard. I noticed that you thanked
Barry (Blaustein, director of Beyond The Mat -- ed.) in the
credits. Has he seen it?
PH:
Yeah - Barry Blaustein saw the film and is a huge supporter
of it. He actually introduced the film when it screened in
Los Angeles. He also helped out in the editing stage and gave
me some great advice.
CG:
And finally, where did you draw the line between being a wrestling
fan and a documentarian? Did you have a hard time setting
the limits of what you would show for reasons of telling the
stories of the participants lives and what you would show
because it was an awesome spot?
PH:
I'm a wrestling fan and filmmaker - so put together what I
think both a wrestling fan and non-wrestling fan would like
to see. Certainly wrestling fans get more of the in-jokes
and you can tell by who laughs where as to if they're a fan
or not.
If I wasn't
a wrestling fan or didn't know the lingo/business then I don't
think I wouldv'e got the access I got from a lot of the kids,
and from guys like Rob Van Dam.
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